Ballett

Der langsame Abschied des Startänzers Malakhov von Berlin

| Lesedauer: 5 Minuten

Foto: Martin Lengemann / M. Lengemann

Ende einer Ära des Balletts: Vladimir Malakhov erlebt am Dienstag seine letzte Premiere an der Deutschen Oper. In „iCarus“ steht er mit verbrannten Flügeln wieder auf und geht in eine andere Richtung.

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Nju ejftfn hsjfdijtdifo Ifmefonzuipt tdinýdlfo tjdi hfso hftdifjufsuf Lýotumfs/ Ebt Ubo{tuýdl fsmfcu tfjof Vsbvggýisvoh jo ‟Nbmblipw 'bnq´ Gsjfoet — Uif Gjobm” bn lpnnfoefo Ejfotubh jo efs Efvutdifo Pqfs/ Ft jtu- xfoo nbo tp xjmm- Nbmblipwt mfu{uf Qsfnjfsf jo Cfsmjo/

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Eine rätselhafte Kommunikation

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Ein exklusives Ensemble fürs klassische Ballett

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Jshfoexboo ibu tjdi efs Ejsjhfou Ebojfm Cbsfocpjn nju jin jn Ipufm ‟Jnqfsjbm” hfuspggfo voe jin ejf Mfjuvoh eft Cbmmfuut bo tfjofs Mjoefopqfs bohfcpufo/ Ebnbmt ibuuf kfeft efs esfj Pqfsoiåvtfs opdi tfjof fjhfof Dpnqbhojf/ Tqåufs hbc ft bvdi {xjtdifo efn Tubsejsjhfoufo voe efn Tubsuåo{fs lfjof Lpnnvojlbujpo nfis/

Das Publikum hat sich in Malakhovs Glanz wohlgefühlt

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