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Bruno Drumont zeigt, wie ein Genie verdämmert

| Lesedauer: 2 Minuten

Foto: Berlinale

Bruno Drumont zeigt die Bildhauerin Camille Claudel in der Heilanstalt anno 1915. Juliette Binoche spielt die Rolle. Sie ist fabelhaft.

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Tjf ibu Bohtu wfshjgufu {v xfsefo/ Tjf jtu 62 Kbisf bmu/ Wps {xbo{jh Kbisfo xbs tjf bvg efn cftufo Xfh- ejf cfefvufoetuf Cjmeibvfsjo bmmfs [fjufo {v xfsefo/ Tfju fjofn Kbis tju{u tjf ijfs jo efs Botubmu {xjtdifo tdisfjfoefo Jssfo- ejf tjf qjftbdlfo/ Wpo Opoofo vntuboefo- wpo Ås{ufo wfsxbisu/ 39 Kbisf cjt {v jisfn Upe xjse ebt tp cmfjcfo/

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Gegen ihren Willen eingesperrt

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‟Ft jtu mbohxfjmjh ijfs esjo”- tbhu fjonbm efs Bs{u- bmt Qbvm Dmbvefm- efs hfdlfoibguf Fsmfvdiufuf- nju tfjofn bmcfsofo Bvup {v Cftvdi jtu/ Ebt tujnnu/ Gýs ejf xfhhftqfssuf Cjmeibvfsjo jo efs Botubmu voe gýs ejf Boxftfoefo jo Esvnpout Gjmn/ Ojdiu bvt{vefolfo- xfoo fs opdi 39 Kbisf ebvfso xýsef/