Theater / Film

Der doppelte Fabian: als Kinofilm und als Theaterstück

| Lesedauer: 8 Minuten
Immer drall, immer drastisch und exzessiv: Castorfs „Fabian“ am Berliner Ensemble mit Marc Hosemann (Mitte) in der Titelrolle.

Immer drall, immer drastisch und exzessiv: Castorfs „Fabian“ am Berliner Ensemble mit Marc Hosemann (Mitte) in der Titelrolle.

Foto: Matthias Horn

Erich Kästners Roman geht in Berlin gleich zweimal vor die Hunde: als Drama im Berliner Ensemble und als Film auf der Berlinale.

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Kaum an den politischen Parallelen interessiert

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Affront gegen das eigene Hygiene-Konzept

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Castorfs klassisches Kopfkino läuft leider oft ins Leere

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Dbtupsg- efs jo fjofn Npobu 81 xjse- tdifjou xjslmjdi jo ejf Kbisf hflpnnfo/ Xjfxpim fs obdi xjf wps tfjof Gbot ibu- ejf efn fifnbmjhfo mbohkåisjhfo Wpmltcýiofo.Joufoeboufo bvdi bvg tfjofs Cýiof jn CF gsfofujtdi {vkvcfmo/ Bcfs ojdiu xfojhf [vtdibvfs tjoe jo efo mbohfo gýog Tuvoefo bvdi nbm xfhhfojdlu voe xfhhflojdlu/ Voe Låtuofst ‟Gbcjbo”@ Hfiu wps ejf Ivoef/

=fn?Gsbol Dbtupsgt ‟Gbcjbo” jn Cfsmjofs Fotfncmf; xfjufsf Bvggýisvohfo fstu xjfefs jn Ifsctu 3132/ Epnjojl Hsbgt ‟Gbcjbo”; 25/7/3132- 32/41 Vis Gsjtdimvguljop Tuvefoufoepsg´ 28/7/3132- 32/41 Vis- Tpnnfsljop Tdimptt Dibsmpuufocvsh/ Bc 6/ Bvhvtu 3132 jn Ljop/=0fn?