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Wie Marlene auf die Tonne kam: Ein Roman erzählt es

| Lesedauer: 6 Minuten
Peter Zander
Eine Filmszene, die sich eingebrannt hat: Marlene Dietrich (l.) singt in „Der blaue Engel“ anzügliche Lieder in Strapse.

Eine Filmszene, die sich eingebrannt hat: Marlene Dietrich (l.) singt in „Der blaue Engel“ anzügliche Lieder in Strapse.

Foto: picture alliance / Gusman/Leemage

Ein höchst vergnüglicher Roman erzählt, unter welch widrigen Umständen der deutsche Tonfilmklassiker „Der blaue Engel“ entstand.

Ein ewiges Highlight beim Besuch des Film- und Fernsehmuseums in Berlin sind die Probeaufnahmen der jungen Marlene Dietrich 1930 beim Vorsingen zum Film „Der blaue Engel“ in Babelsberg. Man sieht da eine eher schlecht gelaunte Frau singen, wobei sich der Pianist immer wieder verspielt und sie ihn rüde beschimpft:„Soll das Klavierspielen sein? Zu dem Dreck soll ich singen?“

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Dass der Film zustande kam, grenzt an ein Wunder

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Skandalös teuer, skandalös freizügig

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Die Entstehung klingt selbst wie ein Film

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Kleine, böse literarische Ausschmückungen

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