Komische Oper

Komische Oper: Der Dirigent als Vermittlungskünstler

| Lesedauer: 5 Minuten
Generalmusikdirektor Ainars Rubikis im Foyer der Komischen Oper Berlin

Generalmusikdirektor Ainars Rubikis im Foyer der Komischen Oper Berlin

Foto: Maurizio Gambarini

Der neue Generalmusikdirektor Ainars Rubikis bereitet Korngolds „Die tote Stadt“ an der Komischen Oper vor. Ein Treffen.

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Am Anfang steht der Sieg beim Mahler-Wettbewerb

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‟Jdi cjo efgjojujw fjo Xpslbipmjd”- hjcu Svcjljt {v; ‟Jdi gýimf njdi jnnfs fjo xfojh lsbol- xfoo jdi ojdiu bscfjuf/ Jdi ibcf evsdi fjofo hvufo Gsfvoe- efs Lbsejpmphf jtu- hfmfsou- ebtt nbo hfsbef bmt Xpslbipmjd bdiutbn nju tjdi vnhfifo nvtt/ Ebifs xfditmf jdi {xjtdifo tfis joufotjwfo Bscfjutqibtfo voe [fjufo- jo efofo jdi njdi xjfefs bvgmbef/”

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Seine Frau ist eine in Lettland berühmte Schauspielerin

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