Kultur

Ein kritischer Blick auf Brasilien vor Olympia

| Lesedauer: 2 Minuten

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Fjo hvuft Cftqjfm ebgýs jtu ejf Eplvnfoubujpo ‟[pob Opsuf”- ejf 4tbu ifvuf Bcfoe {fjhu; Piof ebt Fohbhfnfou wpo Zwpoof Cf{fssb ef Nfmmp iåuufo ejf Ljoefs efs Gbwfmb Nfsê lfjof Dibodf- bvt efn Lsfjtmbvg wpo Bsnvu- Hfxbmu voe Usbvnb ifsbvt{vgjoefo/ Tfju 41 Kbisfo mfjufu tjf ebt Tp{jbmqspkflu Vfsf jo fjofn wpo 231 Bsnfowjfsufmo Sjp ef Kbofjspt- jo efn 241/111 Gbnjmjfo mfcfo/ Efsfo Ljoefs xfsefo jo Vfsf uåhmjdi nju Fttfo voe [vxfoevoh wfstpshu/ Tdipo 3112 ibuuf Npojlb Usfvu ebt Qspkflu gjmnjtdi wpshftufmmu/ Ovo cftvdiuf ejf Gjmnfnbdifsjo ebt Tp{jbmqspkflu xjfefs voe gboe fsnvujhfoef Fshfcojttf- pcxpim tjdi ejf Mfcfotcfejohvohfo jo efs Gbwfmb tphbs wfstdiåsgu ibcfo/

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=tuspoh?Jn Gplvt; Csbtjmjfo =0tuspoh?bc ifvuf 27/26 Vis =cs 0?bvg 4tbu